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We don't have an overview translated in English. Help us expand our database by adding one.

In his middle management office, Dubreuil uses erotic messaging. He tries to find the excitement lost.

It is the year 2027 and the world has suffered an unspecified socio-economic catastrophe. The aftermath is so severe that even major cities are reduced to apocalyptic wastelands where food water and shelter are scarce. A scavenger named Gilles along with his teenage son try to find their way amongst the desolate remnants of Paris. All the while they must avoid capture outside the strict, daily curfew enforced by the masked agents of a shadow government and their ferocious dogs.

Three men and a woman from a city in the south of France made a pact as teenagers to never forget that they were children of the poor.

Hugo, a high school student from a village, at an age where one doesn't think much of one's image, opens up to the world thanks to rap.

The invention of censorship, which dates a few years later than the invention of cinema, pushed smutty films to go underground which is synonymous with total freedom, since banned, erotic films could become fully pornographic. 　　Banned but still produced, filmed and especially shown, these films are called “from brothels”, as some were shown in smoking and waiting rooms of brothels. It is there, or in private collections, that they went through the 20th century, waiting for the explosion of the 1970s — and the legalization of the pornographic genre. 　　Usually anonymous (and rightly so!), difficult to date, these films pave the way of this genre (minimised preliminaries, light screenplays, compulsory figures, limited duration of films…), and at the same time carrying some specific features: sometimes humour (Sœur Vaseline) and more often, a sort of… innocence, that of the all first times.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

The invention of censorship, which dates a few years later than the invention of cinema, pushed smutty films to go underground which is synonymous with total freedom, since banned, erotic films could become fully pornographic. 　　Banned but still produced, filmed and especially shown, these films are called “from brothels”, as some were shown in smoking and waiting rooms of brothels. It is there, or in private collections, that they went through the 20th century, waiting for the explosion of the 1970s — and the legalization of the pornographic genre. 　　Usually anonymous (and rightly so!), difficult to date, these films pave the way of this genre (minimised preliminaries, light screenplays, compulsory figures, limited duration of films…), and at the same time carrying some specific features: sometimes humour (Sœur Vaseline) and more often, a sort of… innocence, that of the all first times.

The story of one of the most infamous cases in UK criminal history, that of serial killer Dennis Nilsen. Told through the prism of three men, the series explores the personal and professional consequences of coming into contact with a man like Nilsen.